Cambridge, January 17, 2013
What would you do with four large bronze horses?
A number of people actually had some good ideas. When the Crusaders sacked
Constantinople in 1204, their loot included four horses cast mainly in copper
and gilded in gold. Enrico
Dandolo, the Doge of Venice, sent the horses back home (*) where they were
placed on top of the entryway to St. Mark's Basilica. The statues made the most compelling symbol for Venetian preeminence
in the Byzantine world (having been forcibly taken from Constantinople was
certainly a plus in this respect) and their size and proportions worked
perfectly to be seen from above.
The horses remained in St. Mark's Square for almost six centuries, until Napoleon Bonaparte took Venice in 1797 and ship them to Paris, to be place on top of the Arc de Triomphe du Carrousel celebrating his victories. But the horses' French sojourn was rather brief. After Napoleon's 1815 defeat in Waterloo, the Treaty of Paris explicitly included an article ceding the horses to the Austrians, whom in turn returned them to Venice.
The horses remained in St. Mark's Square for almost six centuries, until Napoleon Bonaparte took Venice in 1797 and ship them to Paris, to be place on top of the Arc de Triomphe du Carrousel celebrating his victories. But the horses' French sojourn was rather brief. After Napoleon's 1815 defeat in Waterloo, the Treaty of Paris explicitly included an article ceding the horses to the Austrians, whom in turn returned them to Venice.
In Constantinople, the horses were most likely located
somewhere in the Hippodrome. As to their origin, there are number of theories. Some historians argue that the horses
were cast in Constantinople maybe during the time of Septimius Severus (early 2nd
century.) Others attribute them to
the 4th century BC Greek sculptor Lysippos. Some sources indicate that the sculptures may have been
brought from the Greek Island of Chios by Theodosious II in the 5th century,
while others suggest that they preceded Constantine (3rd century.)
I'm sure that over the centuries other people have had all sorts of ideas. For example, in one of
his "capricci" (ideal or imagined views,) the Venetian painter
Canaletto placed the horses on tall pedestals aligned in front of the Palazzo Ducale, right in the middle of the
Piazzetta.
So many possibilities!
(*) Interestingly, the aging Dandolo himself never went back
to Venice, as he died in Constantinople and ended up buried somewhere in the
balconies of Hagia Sophia.
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